Fans will recognize many of the classic Githead tropes in ‘Waiting for a Sign’: present and correct are the hypnotic, motorik repetition, the weighty bass lines, and the dreamy melodicism that have come to define the band’s aesthetic.
But ‘Waiting for a Sign’ isn’t about sticking with a proven formula: Githead is a group of forward-looking musicians, committed to reinvention rather than recycling. Indeed, this album attests to considerable sonic evolution and transformation, staking out a diverse range of new territory for the band.
Githead formed in 2004, for what was initially intended as a one-off performance at the Swim record label’s ICA-hosted 10th anniversary event. Over the course of preparations for the gig, though, it quickly became obvious to all involved that there was a natural and rare chemistry between them, one that held the potential for significant organic development.
As previous releases such as Art Pop (2007) and Landing (2009) show, Githead‘s forté has increasingly been to bring the synergy and inventiveness of their live performances to bear on the studio process. For this album, however, they upped the ante, arriving at the studio without any written material and trusting that their response to each other’s extemporization, as well as to the mood and the surroundings, would get the creative juices flowing.
“There were no songs. Nothing,” says Spigel. “We didn’t talk about it at all, we just stood in a room and played.”
Ultimately, this is another way of framing ‘Waiting for a Sign’: Newman, Spigel, Rimbaud, and Franken approached the project as something of a blank slate, their minds free of predefined ideas and open to the creativity fostered by their encounter at Rockfield. Waiting for a Sign is their most accomplished release thus far. It’s the work of a band that’s unable to take the easy option and unwilling to repeat itself; it’s a testament to their continued capacity for invention and their ability to surprise their listeners – and themselves.
Githead will perform tracks from ‘Waiting for A Sign’ for the first time at Wire’s DRILL (already in it’s third incarnation), which this year is expanding and taking on a new lease of life. Fittingly, this year’s DRILL will take place by the sea at venues across Brighton on 4th – 7th. For more information visit: http://drillfestival.
* Headgit (Nov 2004)
* Profile (June 2005)
* Art Pop (May 2007)
* Landing (November 2009)